From our feedback given we were able to thankfully cut out the shaky zoom before it starts to do that whilst keeping as much of the shot as possible. We were also able to sort out the 180 degree rule by doing a tracking shot matching the shot of the first actress who is walking into the woods so it is clear that they are coming from different sides without messing with the rule. We changed the typography to AR JULIEN as it gives the film a more serious and traditional look as it has feet - by using this people can make assumptions that this is going to be a classic thriller style, since the characteristics of the typography convey the message of our overall opening/film. Additionally this is what one would consider as a versatile font so regardless of its surroundings it fits the environment within thriller conventions.
Thursday, 1 December 2016
Feedback from first draft
From our feedback given we were able to thankfully cut out the shaky zoom before it starts to do that whilst keeping as much of the shot as possible. We were also able to sort out the 180 degree rule by doing a tracking shot matching the shot of the first actress who is walking into the woods so it is clear that they are coming from different sides without messing with the rule. We changed the typography to AR JULIEN as it gives the film a more serious and traditional look as it has feet - by using this people can make assumptions that this is going to be a classic thriller style, since the characteristics of the typography convey the message of our overall opening/film. Additionally this is what one would consider as a versatile font so regardless of its surroundings it fits the environment within thriller conventions.
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